Karl Marx and Friedrich Engels The Communist Manifesto Essay

Karl Marx and Friedrich Engels The Communist Manifesto - Essay Example All those in the ranks who have a desire or an occasion to have a better understanding of their own work should carry to mind the causes and the moving forces which is firm on the genesis of the Manifesto, the circumstances under which it appeared on the eve of the Revolution which rupture forth from Paris to Vienna, from Palermo to Berlin (Katz 2001). This is the only way will it be probable for people to find in the current social form the clarification of the propensity toward socialism, thus showing by its present the requirement the predictability of its triumph. Is not that in fact the fundamental part of the Manifesto, its core and its distinguishing character? (Labriola 1999). People should be taking a false road if it is looked upon as the essential part of the measures advised and proposed at the end of the second chapter for the unforeseen event of a revolutionary success on the part of the proletariat, or again the suggestion of political relationship to the other revolutionary parties of that era which are found in the fourth chapter (Labriola 1999). These indications and these measures, although they have the right to be taken into contemplation at the moment and under the conditions where they may be very vital for forming a exact estimate of the political action of the German communists in the revolutionary period from 1848 to 1850, hereafter no longer form for people a mass of sensible judgments for or against which we should take sides in each contingency (Labriola 1999). The political parties since the International have recognized themselves in dissimilar countries, in the name of the proletariat, and taking it obviously for their base, have felt, and feel, in amount as they are born and expand, the domineering requirement of adopting and in compliance in their program and their action to conditions are always different and multiform. But not one of these parties feels the totalitarianism of the proletariat so near that it

Trurl’s Machine Essay Example for Free

Trurl’s Machine Essay As a boy Stanislaw Lem showed an early interest in science as well as in the imaginary worlds of fantasy and science fiction. The young Lem’s interest in tinkering mechanical devices of all sorts was put to use by secretly damaging the German vehicles during the Nazi occupation. Later on, he became a full time writer establishing himself as leading science fiction writer in Eastern Europe. This writer from Lvov Poland (now Ukraine) worked on serious themes as the purpose of life and relationship between human beings and technology. Once upon a time Trurl, a constructor built an eight-story thinking machine. As always, he asks it a ritual question of how much is two plus two. Every time he asks this question the machine always says seven that make him so disappointed. He collapsed in despair at the foot of the machine, and sat there until Klapaucius found him. Klapaucius asked what was wrong, for Trurl looked as if he had just returned from a funeral. Trurl explained what happened and Klapaucius said that there still a good side to everything. Trul keeps on kicking the machine until he is warned by it; they notice that aside from being stupid it is also sensitive. Instead of stopping what he is doing, Trul keeps what he is doing, that’s why the machine shuttered, shook and without any word lift itself from its foundations. The machine was swaying like a high tower, advancing slowly; at every step sinking to is second floor, but stubbornly doggedly pulling itself out of the sand and heading straight for them. This left broken concretes behind. They ran straight and soon saw houses before them. The streets were practically deserted at this time and the construction had gone a good distance without meeting living soul, when suddenly an awful crash, like an avalanche at the edge of the town, indicated that the machine was coming after them. The machine is tearing down all the houses! It is plowing all the building. There are dreadful screams, confusions in the streets. The mayor pleased the machine to stop what it is doing and the machine said that it will only stop if they give up Trurl. The mayor pleases the machine to have mercy on them. The mayor said that the damage made by Trurl’s machine will be answered by Trurl. Trurl and Klapaucius went to the machine and escaped by going in the cave but the machine has closed the cave with the rock. They are trapped. They talk to the machine and say that all of its answer is correct that two plus two is seven. They ask if they can go now but the machine said that it will think about it, but first they need to answer what is two times two. Trul fell into a rage, and he said that two and two is four, from the beginning till the end it is four. The machine had begun to ram its eight-story hulk again and again into the wall of stone, hurling itself against the mountain side until huge boulders broke away and went tumbling down into the valley. Thunder and sulfurous fumes filled the cave and sparks flew from the blows of steel on rock, yet through all this pandemonium one could still make out, now and then, the ragged voice of Trurl. They heard an explosion and saw the machine, lay smashed and flattened, nearly broken in half by an enormous boulder that had landed in the middle of its eight floors. With the greatest care they picked their way down through the smoking rubble. In order to reach the riverbed, it was necessary to pass the remains of the machine. Without a word, the two stopped together in the shadow of its twisted hull. The machine still quivered slightly, and one could turning, creaking feebly, within. Yes this is bad enough you’ve come to, and two and two is—as it always was—â€Å" began Trul, but you just then the machine faint, barely audible croaking noise and said for the last time, â€Å"seven. † Then something snapped inside, a few stones dribbled down from overhead, now before them lay nothing but lifeless mass of scrap. The two constructors exchanged a look and silently, without any further comment or conversation, walked back the way they came.

Fayols Four Functions Of Management Management Essay

Fayols Four Functions Of Management Management Essay The first of Fayols functions is planning. The definition of planning is defining goals, establishing strategies for achieving goals and developing plans to coordinate activities. (Robbins, et al., 2008). Planning is to assess the future and make provision for it. (Fayol, 1949). It is taking the initiative for the plan of action that managers carry out the managerial function. Mr.Seets job involves planning function. Understandably, he is the top level manager, so he has to get involved in all the manufacturing process like designing, process planning and material planning. The purposes of planning is to provide directions, so that employees can coordinate activities and corporate with each other when they know where the organisation is going and what they have to contribute to reach the goals. Hence, Mr. Seets plan is operational plans that specify details of how the overall goals are to be achieved. Apparently, it is a short term plans that covering of one year or less, but it is a specific plan which all the plans are clearly defined. He set goals of the organisation and then broken down into sub goals of each level of the organisation. In addition, planning reduces uncertainly by forcing managers to look ahead, anticipate and consider the impact of change. Managers plan to anticipate changes and develop the most effective response to them. Other than that, planning also minimize waste and redundancy, when work activities are coordinated around established plans, wasted time and resources can be minimize. Inefficiency become obvious and can be corrected or eliminated. Thus, SMART (Specific, Measurable and quantifiable, Attainable, Realistic, Time frame) goals are to be enforce by the managers. Consequently, Fayol (1949) describes the general features of a product plan and the advantages and shortcomings of forecasts, noting that the best plans, make allowances for contingencies. Fayol (1949) asserts that it would be useful for those whose concern is manageme nt to know how experienced managers go about drawing up their plans and proceeds to identify the planning process. (Lamond, 2003). The next Fayols functions would be organising. According to Robbins, Bergman, Stagg Coulter (2008), organising is defined as determining what tasks are to be done, who is to do them, how the tasks are to be grouped, who reports to whom and where decisions are to be made. Organising is arranging and structuring work to accomplish the organisations goal. Mr.Seets job also involves organising function. He needs to manage and divide all the tasks equally to his workers in order to save time and increase efficiency. Mr. Seet divides all the work activities into separate jobs task to different department like functional department, product department, process department and customer department. He also holds meeting for every week to discuss current problems, motivate employees and appoint a team at committees. On top of that, if managers change the organisations strategy, the structure should change to support the new strategy. Structure is adapted based on increasing level of complexity and sophistication. The more routine the technology, the more mechanistic the structure can be. Hence, Fayol (1949) argues that to create an organisation it is not enough to group people and distribute duties, there must be knowledge of how to adapt the organic whole to requirement and how to find essential personnel. Thus, Fayol (1949) states that organising is to provide the undertaking with everything useful to its functioning. The other Fayols functions is leading. Based on Robbins, Bergman, Stagg Coulter (2008), leading is defined as motivating subordinates, influencing individuals or teams as they work, selecting the most effective communication channels, or dealing in any way with employee behaviour issues. The mission of leading is to set the organisation going. (Fayol, 1949). The objective of leading is to get the optimum return from all employees, while the art of leading rests on certain personal qualities and knowledge of general principles of management. (Fayol, 1949). Mr.Seets job includes leading function. He ensures all his workers are in a friendly and comfortable work environment. He also gives training and guidance to employees by counseling whenever necessary. This can relate to the Katzs human skills and Mintzbergs interpersonal skills. (Lamond, 2003). Mr.Seet has motivates his employees by offering sales commission and bonus. According to Katzs human skills, all level of management need human skills in order to interact and communicate with other people successfully. (Peterson Van Fleet, 2004). Thus, Mr.Seet reflects the requirement of leading functions and human skills needed as a top manager. The last Fayols functions is controlling. Controlling is defined as monitoring actual performance, comparing actual to standard, and taking action if necessary. (Robbins, et al., 2008). Controlling is verifying whether everything occurs in conformity with the plan adopted, the instructions issued and principles established. (Fayol, 1949). Mr.Seets job also includes controlling function. He has to make sure that the transportation or delivery of goods is safe and fast. Orders must also be taken correctly and accurately. Besides that, he also has to make sure that the monthly targeted sales are achieved and the company continues to make profit. In addition, he has to ensure the whole process is effective and efficient and also perfect product quality to satisfy customers. Thus, the objective of controlling is to point out weaknesses and errors in order to resolve them and prevent recurrence. Besides, the other objective is to contribute the smooth working of each department in particul ar and of the concern in general. (Fayol, 1949). Mr.Seet is involved in job like trouble shooting for rejected goods and work force shortage. He needs to think of a way to solve rejected goods by finding out the problems, minimize the loss and maintain customers trust towards the organisation. When there is work force shortage, he needs to make decision whether to hire more employee or working over time. This also can be relates to Mintzbergs decisional skills where he must have ideas to make the right decisions. (Mintzberg, 1975). Management is about opinions and view points that may vary among different individuals. This interview has shown that Fayols four functions were needed by a top manager. There are some exemptions on his theory depending on what type of organisation is the manager managing. As a matter of fact, Katzs theory stated that human skill is needed at all level of management. His theory is further explained by Mintzbergs 10 roles of management under the interpersonal role category. Hence, one theory cannot work without the other. Indeed, Fayols characterisation of management still represents the most useful way of conceptualizing the managers job. (Carroll and Gillen, 1987). References list: Carroll, S. Gillen, D., (1987). Are the Classical Management Functions Useful in Describing Managerial Work? The Academy of Management Review, 12(1), 38-51. Fayol, H. (1949). General and Industrial Management. London: Routledge. Lamond, D. (2003). Henry Mintzberg vs Henri Fayol: Of Lighthouses, Cubists and the Emperors New Clothes. Journal of Applied Management and Entrepreneurship, 8(4), 5-23. Mintzberg, H. (1975). The managers job: Folklore and fact, Harvard Business Review, 53(4), July August 49-61. Peterson, T. O. Van Fleet (2004). The ongoing legacy of R.L. Katz: An updated topology of management skills. Management Decision, 42(10), 1297-1308 Robbins, S., Bergman, R., Stagg, I., Coulter, M. (2008). Management (5th ed.). Frenchs Forest, N.S.W.: Pearson Education Australia.

Loss of Consciousness from Brain Injury Versus Amnesia Essays -- Biolo

Loss of Consciousness from Brain Injury Versus Amnesia Brain injuries have been traditionally classified as mild, moderate and severe based upon the duration of loss of consciousness and memory. More recently these classifications have been reconsidered based upon the length and severity of amnesia (4).. How can you measure loss of consciousness and memory? How does the length of amnesia better predict the severity of a brain injury versus the traditional method of classifying brain injury based upon the length of loss consciousness? Head trauma is by far the most common cause of amnesia, but the condition often goes unrecognized as patients more serious medical problems become the foremost concern (3).. Traumatic amnesia is brain damage caused by a severe non-penetrative blow to the head, such as in a road accident. It can lead to anything from a loss of consciousness for a few seconds to coma. During post-traumatic amnesia, a patient usually fails to remember not only the accident, but also all information learned for several years bef ore the brain injury. A severe blow to the head is likely to cause loss of consciousness lasting seconds up to months. This state of puzzlement and confusion can pass with time for many cases (1).. A brain is exposed to injury as a result of external forces, which are directed to the head. Those forces can include a blow to the head, the head hitting something, and a rapid acceleration/deceleration movement, such as whiplash (2).The extent of brain injury can be classified as either a state resulting in coma or not. This distinction is used not because the ultimate outcomes are necessarily different, but because coma resulting in a head injury can evoke "the vigil between life and death."... ...for everyone (1,2). WWW Sources 1)Anatomy of a Head Injury, Description http://www.ahs.uwaterloo.ca/~cahr/headfall.html 2)Welcome to the Brain.com, http://www.brain.com/brain/ 3) Traumatic Brain Injury , http://courses.smsu.edu/jas188f/316/TBI.htm 4) Loss of Consciousness http://subtlebraininjury.com/noloc.html 5)What is Amnesia?, http://serendip.brynmawr.edu/bb/neuro/neuro01/web1/www.psy.ohio-state.edu/psy312/amnesia2.html 6) Story about Amnesia , http://news.bbc.co.uk/hi/englsih/health/medicalnotes/newsid167000/167771.stm 7) Amnesia , http://www.u.arizona.edu/~pdavidso/amcog.html 8) Children with amnesia cast new light on memory and learning?, http://www.psy.ohio-state.edu/psy312/amnesia2.htmlhttp://expressindia.com/ie/daily/19970720/20150363.html 9) About Traumatic Brain Injury, http://www.tbidoc.com/Appel12.html

Seeing Ourselves: An Analysis of Ideology and Fantasy in Popular Advert

Seeing Ourselves: An Analysis of Ideology and Fantasy in Popular Advertising In the arena of advertising in modern Western society, the consumer can become numb from over-saturation. Advertising stretches over all forms of media, with independence that critic Judith Williamson says intentionally reflects our own human reality (Lord, 263). Advertising becomes a natural presence for consumers; it overwhelms us until we stop trying to understand and decode the images and slogans presented to us. In "The Rhetoric of the Image", critic Roland Barthes uses particular advertising images as dissection models to systematically extract the meaning of cultural codes. In her essay "Decoding Advertisements", Judith Williamson discusses the self-reflective advertising system that assigns human values to products to promote the purchasing of these products to satisfy a non-material need. Advertising, in effect, sells us ourselves, or at least what we would like ourselves to be (264). The combined theories of Barthes and Williamson are a solid springboard in discussing two a dvertisements: one in print and one in the medium of television. The print advertisement is for a men's cologne called "Romance". The magazine ad features a black and white photo of a man holding a woman as she bends backwards, careening almost to the point of falling off of a tire swing. The second ad is a thirty second "spot" depicting three young teenage girls who flirtatiously use their Coca Cola cards to get "free stuff" from a surprised (albeit pleased) male clerk. In both ads, beyond the surface of the initial message there resides a somewhat disturbing subtext of sexism, male dominance, and male fantasy. In order to sell their products, Ralph Lauren and Coca Cola ... ...d titillate. The old expression is "sex sells" but what really sells is male dominated sexual fantasy. This is not to say that all advertisements are sexist, or sexist against only women, but it is to say that in many ads what may seem like a simple image of "romance" or a fun trip to the store is really an entire structure of meaning. Roland Barthes and Judith Williamson employ almost scientific methods to extract rhetoric from advertising images but even their methods are not foolproof. The structure of meaning in an advertisement will vary upon the person perceiving it. The important thing is to recognize common dominant ideologies in ads, and the values that advertisements want us to desire and attain through their product. If we must buy into ourselves, we should at least make an informed decision before we accept and pay for ideology which is not our own.

Life of the Soul Revealed in Sailing to Byzantium and Shadows Essay

Life of the Soul Revealed in Sailing to Byzantium and Shadows  Ã‚        Ã‚  Ã‚   The view of death from an aged individual can be one of acceptance of his life’s end or one of mystified wonder over the immortality of the soul. Both William Butler Yeats and David Herbert Lawrence take the latter view in their respective poems, "Sailing to Byzantium" and "Shadows." By viewing death as a continuation of their soul’s life in a different realm of being, they provide a comforting solution to the fear that death may be the end of their existence. In W.B. Yeats’ "Sailing to Byzantium" and D.H. Lawrence's "Shadows," death is addressed from the viewpoint of one preparing for its eminent arrival; Yeats, however, expresses the belief that he can live forever when his soul becomes a form of art whereas Lawrence states that death delivers him "to the hands of God to send [him] forth as a new man." "Sailing to Byzantium" presents the end of a man’s journey through life in which he yearns to, "once out of nature," be cast in gold as a work of art. By using the motif of a journey to parallel the end of one’s life, Yeats presents Byzantium as the ultimate destination for his mundane body. He contrasts the "holy city of Byzantium" with the country for the young, a land which he has now departed. In the land of the young, "the aged man is but a paltry thing" who is out of place among those who are "caught in the sensual music." The knowledge that comes with age, including the respect for things immortal, causes the traveler to leave the place that "neglect[s] monuments of unageing intellect." The realization that life is ephemeral is a divisor separating those who reside in the land of the "caught" young and those who exhibit free action by traveling... ... Harold Bloom. New York: Chelsea House Publishers, 1986. 128-132. Holdberg, Michael. " ‘Sailing to Byzantium’: A New Source and a New Reading." English Language Notes VII (1974): 111-116. Macheice, Louis. "The Ash of Poetry." The Poetry of W.B. Yeats. London: Oxford University Press, 1941. 139-141. Olson, Elder. " ‘Sailing to Byzantium’: Prolegomena to a Poetic of the Lyric." University Review VIII (1912): 257-269. Panichas, George A. "Voyage of Oblivion." Critics on D.H. Lawrence. Ed. W. T. Andrews. Coral Gables: University of Miami Press, 1971. 121-123. Perloff, Marjorie. "The Rhyme Structure of the Byzantium Poems." Rhyme and Meaning in the Poetry of Yeats. Mouton & Co.: Paris, 1970. 122-131. Young, David. "Byzantium and Back." Trouble Mirror: A Study of Yeats’ ‘The Tower.’ Iowa City: University of Iowa Press, 1987. 14-29.      

Symbols of Personal Renewal in Henrik Ibsen’s ‘A Doll’s House’

Symbols of new beginnings for Nora In A Doll’s House the supporter, Nora lives in a Victorian society where adult females are to a great extent controlled and treated as second-class citizens. The mean Victorian adult females belonged to a stereotype that the adult females were required to remain place and clean, prepare repasts and raise kids. In matrimony Victorian adult females lost ownership of their rewards, all physical belongings, including land, and all other hard currency generated one time married. The hubby would stand for both adult male and adult female puting the hubby in control of everything and that including the married woman as if she was a piece of belongings. This was Nora before her new beginning. The dramatist employs a assortment of literary techniques and symbolism to convey the passage from a traditional Victorian adult female to the image of her seen at the terminal of the drama ; an embittered yet sophisticated, intelligent, and freshly empowered adult female boldly get awaying the i nfantilizing clasps of her old life. Amongst the symbols employed throughout the drama many were 1s in which represented a new beginning for Nora. From the point of act one she played the submissive, apparently selfish, foolish married woman declining to admit the strength that she was constructing. From the Christmas tree to the macaroons to the Tarantella to New Year’s twenty-four hours are really of import symbols which are Nora’s loves, they are what helped her to obtain her new beginning, these symbols conveyed to the reader the get downing a new for her. Christmas is favored vacation for Nora, the degree of felicity is exponential, but portion of the ground why she is so happy is the joy that she has when playing the function of a married woman and female parent. The plaything that she chose for her kids suggests that she is all right with the position quo of Victorian society, misss being nurturing and turning up to be a plain married woman and female parent while male childs grow up to be strong and powerful. Though during this phase her action of desiring to purchase something for herself implies that she wants to do a determination for herself traveling against the position quo. At this point though incognizant she starts to believe of independency as if the idea of it was in the dorsum of her head. Though Torvald does non let her to make so, the fact that Torvald will non swear her with money to purchase herself a present demonstrates a major instability of power. We see her during the drama telling the Christmas tree and so ado rning it, in secret moving independently an deduction of growing of strength to be an independent adult female turning, inching towards a new beginning. During Christmas Eve Nora believed her matrimony to be one that had small to no issues. At the beginning of the 2nd act, the tree has been stripped and the tapers burned out ; phase waies dictate that is should look â€Å"bedraggled† . This represents the terminal of Nora’s artlessness and foreshadows the Helmer family’s eventual decomposition, the tree represents the household and its integrity, the denudation of the tree foreshadows Nora depriving from the household unit and her going her ain individual and making her new beginning. She is get downing to alter significantly at this point. Though the first deduction of a strength that was get downing to turn was in her small act of eating a macaroon. The macaroons was a dainty that Torvald had forbidden Nora from eating. Nora claims that she â€Å"would ne'er dream† of making anything that Torvald did non desire her to make, but this is disproved in the really gap of the drama when Nora eats macaroons while she was entirely in the life room. The macaroons come to stand for Nora’s noncompliance to Torvald, as this was her first act of noncompliance seen by the audience. The macaroons show that Nora is the perfect small â€Å"pet† that Torvald views her to be. The macaroons map in the drama was to show that although that some households and lives seem image perfect, most of the clip it is non true, as proven by Nora’s demand to conceal the bond and macaroons from Torvald. Ibsen’s usage of symbolism in utilizing such a minor pleasance impacts the narrative in a immense manner by subtly demoing the audience that Nora’s life style is non as true, happy and dependent as it seems, an independent act can take to more and such implies her turning strength. After giving a stormy public presentation of the tarantella Nora asks that the macaroons be served at dinner, bespeaking a relationship between the macaroons and Nora’s interior passions, the tarantella and the macaroons can be said to be two of Nora’s loves which help to demo the audience the truth of who she truly is. The tarantella symbolizes a side of Nora that is ardent and passionate she could show her true nature in this dance. The Tarantella was a wild southern Italian dance, by and large danced by a twosome or line of twosomes. The dance was named after the European wolf spider spider, whose toxicant bite was erroneously believed to do ‘tarantism, ‘ an unmanageable impulse for wild dance. The ‘cure ‘ prescribed by physicians was for the sick person to dance to exhaustion. Pyscologists ground that the lone signifier of showing passion to its fullest, was the Tarantella. It is the fiery, passionate dance that allows Nora to drop the facade of perfect mild-mannered Victorian married woman it is the accelerator in which Nora is able to show a pent-up side of herself, her true ego. Ibsen’s arrangement of the Tarantella in the 3rd act is an prefiguration component which implies the interrupting out of Nora. Her new beginning, is clearly seen in this dance something that is non controlled. Throughout the drama Nora uses public presentations to delight Torvald, and the tarantella is no exclusion ; he admits that watching her perform makes him want her. However this is merely under controlled fortunes, and Torvald seems to bask that the public presentation impresses other people more than anything. But she can be merely controlled to a certain point such can be said when Torvald was seeking to give instructions â€Å"slow down† , seeking to command her as he watched her pattern before the existent event. Though this seems to be merely done to delight her hubby with a public presentation, what drives her to execute is the underlying facet that she can show her emotions to the fullest uncontrolled. New Years twenty-four hours is traditionally viewed as a new beginning and such can be said to be the Helmer family’s position, they are looking frontward to this new beginning. Torvald starts a better paying occupation at the bank at which he works, Nora is about free if non already free of her debt by New Years twenty-four hours. By the terminal of the drama Nora has decidedly made a new beginning for herself though non as expected ; without her kids and her hubby. As the secret about the debt is found out by Torvald and she has reached an epiphany because of this that she â€Å"existed simply to execute tricks† faulting him and her male parent for handling her like a spoiled kid and a toy for their ain amusement. They wanted her to be nescient and incapacitated, and therefore far she has merely tried to delight them and in bend losing out on any chance to educate and better herself. All the times she subtly rebelled or disobeyed or instead she was the 1 in control behind the scenes but now she is seen clearly, no more misrepresentation. Nora’s submissiveness to Torvald is no longer seen. She shows herself no longer as a kid but as an grownup adult female these symbols that the writer has employed has shown her development over clip. Particularly when Torvald fails to supply the strength that she needed, because of that she can truly state that she no longer loves him. Her realisation that she wants to prosecute her independency is non so much a transmutation but an waking up to a strength that she had possessed wholly along and with this strength she can get down a new.